{"id":1125,"date":"2024-05-08T21:18:09","date_gmt":"2024-05-08T21:18:09","guid":{"rendered":"https:\/\/aperture.byu.edu\/?p=1125"},"modified":"2024-05-08T21:19:20","modified_gmt":"2024-05-08T21:19:20","slug":"crystal-rain","status":"publish","type":"post","link":"https:\/\/aperture.byu.edu\/?p=1125","title":{"rendered":"Crystal Rain"},"content":{"rendered":"\n<p><a href=\"https:\/\/bridgermoss.wixsite.com\/crystal-rain\">Crystal Rain<\/a><a href=\"\"><\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"block-15e6899e-d46b-4280-9067-9a830b1856c0\">by Bridger Moss<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"block-c780ecaa-795f-49c2-9ce5-423256713ad7\">Artist&#8217;s Statement<\/h4>\n\n\n\n<p>It has taken me quite some time to do so, but over the years that I have spent studying the<br>many ways that cinema can deliver a heightened narrative experience, I have come to realize in<br>part that filmmaking owes much of what it has to offer in terms of narrative quality and<br>characteristics to its predecessors dated throughout the long history of the arts. Just as Sergei<br>Eisenstein states in his article \u201cDickens, Griffith, and Ourselves [Dickens, Griffith, and Today],\u201d<br>I, too, \u201chave always derived comfort from repeatedly telling myself that our cinema is not<br>entirely without an ancestry and a pedigree, a past and traditions, or a rich cultural heritage from<br>earlier epochs.\u201d For this project, I took great inspiration from two unrelated pieces of rock music<br>that date back over four decades.<\/p>\n\n\n\n<p><br>For some time now, these two songs from a generation or two before my own time have<br>been circulating through my consciousness and providing me with certain visions that I can only<br>see the medium of animation bringing to fruition. Taking inspiration from both the lyrics and<br>instrumentals of \u201cCrystal Ball\u201d by Styx and \u201cPurple Rain\u201d by Prince, I created the surrealist yet<br>minimalistic collection of GIFs I call Crystal Rain.<\/p>\n\n\n\n<p><br>The first two thirds of this collection reflect largely on the lyrics of \u201cCrystal Ball\u201d where<br>we see a squiggly figure \u201cwalk the straight and narrow line\u201d and \u201cthink that everything was<br>fine.\u201d These periods of time can last however long the viewer wants or feels like they should.<br>Eventually, the ball of crystal that the figure has been seeking is born from his breaking heart and<br>aching body. Overall, this song by Styx is one of existential distress, which is why I made these<br>first few GIFs to give the feeling of hopelessness. Though, after destroying the object that left<br>him empty in his center, a storm is summoned, filling the void within, making him firm and truly<br>whole.<\/p>\n\n\n\n<p id=\"block-c9404006-950e-4a44-a8ae-843259730ce5\"><strong>Head Editor<\/strong><br>Spencer Norton<\/p>\n\n\n\n<p id=\"block-e1bedd64-8bc6-4a0c-91ff-3777a91d1be0\"><strong>Project Manager<\/strong><br>Laura Calkins<\/p>\n\n\n\n<p id=\"block-69c08ad5-c97e-4a4c-9eed-d02c139e6363\"><strong>Section Editor<\/strong><br>Lille Knudsen<\/p>\n\n\n\n<p id=\"block-a6a97670-487d-432f-be6f-aaaf8ad34ba7\"><strong>Faculty Review<\/strong><br>Benjamin Thevenin<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Crystal Rain by Bridger Moss Artist&#8217;s Statement It has taken me quite some time to do so, but over the years that I have spent studying themany ways that cinema can deliver a heightened narrative experience, I have come to realize inpart that filmmaking owes much of what it has to offer in terms of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1127,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[158,159],"tags":[],"_links":{"self":[{"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=\/wp\/v2\/posts\/1125"}],"collection":[{"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1125"}],"version-history":[{"count":3,"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=\/wp\/v2\/posts\/1125\/revisions"}],"predecessor-version":[{"id":1129,"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=\/wp\/v2\/posts\/1125\/revisions\/1129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=\/wp\/v2\/media\/1127"}],"wp:attachment":[{"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aperture.byu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}