Empathy for the Fallen World: Sufjan Stevens’s Illinois as a Redemption Narrative
By Lila Rice Head EditorSpencer Norton Project ManagerLaura Calkins Section EditorRebekah Page Section EditorGabriel Piper Faculty ReviewDarl Larsen
By Lila Rice Head EditorSpencer Norton Project ManagerLaura Calkins Section EditorRebekah Page Section EditorGabriel Piper Faculty ReviewDarl Larsen
By Ward Lewis Head EditorSpencer Norton Project ManagerLaura Calkins Section EditorRebekah Page Section EditorGabriel Piper Faculty ReviewDarl Larsen
By Lily Warnock Head EditorSpencer Norton Project ManagerLaura Calkins Section EditorChisel Mc Farland Section EditorPaul Sillito Faculty ReviewThomas Russell
By Rebekah Page Head EditorSpencer Norton Project ManagerLaura Calkins Section EditorChisel Mc Farland Section EditorPaul Sillito Faculty ReviewThomas Russell
By Logan Dance Head EditorSpencer Norton Project ManagerLaura Calkins Section EditorChisel Mc Farland Section EditorPaul Sillito Faculty ReviewThomas Russell
Crystal Rain by Bridger Moss Artist’s Statement It has taken me quite some time to do so, but over the years that I have spent studying themany ways that cinema can deliver a heightened narrative experience, I have come to…
by Bridger Moss Artist’s Statement In his book Transcendental Style in Film, Paul Schrader defines transcendence as “thehuman religious experience which may be motivated by either a deep psychological need orneurosis (Freud), or by an external, ‘Other’ force (Jung).” When…
Link to GIF by Lauren Ayles & Haley Beaman Artist’s Statement The animated GIF set, a composition of beauty, serves as a physical and digial exploration of new media and narrative, manifested through the art of collage. On the piece’s…