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Category: 2018

Categories 2018, Essays

Movement in “Paprika” and Baudry’s Apparatus Theory

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by Kaily Goodro Jean-Louis Baudry’s apparatus theory suggests that movie viewers experience an immobility that makes watching a film akin to dreaming. Spectators are unable to freely move, unable to affect what they see, and unable to differentiate between self…

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Categories 2018, Essays

Mulholland Thanatos: Noir Theories of Identity in the Work of David Lynch

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by Brendan Lund Thanks to the dream scene which occupies most of the running time of the film, Mulholland Drive, directed by David Lynch, can be read as representing the internal conscious and unconscious states of its protagonist.  In this…

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Categories 2018, New Media

Open Up Your Ribs and Let Them In

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by Elena Bender

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Categories 2018, Screenplays

Dr. Shrink Meets Bigfoot

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by Taylor Davis View Screenplay

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Categories 2018, Essays

Alchemy of the Face: “Fullmetal Alchemist: Brotherhood” and Facial Emotion

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by Brendan Decicio This paper utilizes the Japanese anime Fullmetal Alchemist: Brotherhood to evaluate different uses of facial close-up. Drawing heavily from the theoretical works of Bela Belaz and Maya Deren, the examination reveals that the seriously realistic and absurdly…

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Categories 2018, New Media

HeteroMormotivity

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by Devin Ricky Sudweeks

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Categories 2018, Screenplays

On My Mind

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by Aaron Fisher View Screenplay

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